I’m home from Denver Comic Con! And now it’s time to share with you what awesome things happened and what I learned.
Even though this post is about panels, here’s one of the awesome cosplay shots I got from the convention:
Credit to dashboardmessages.blogspot.com for taking this great photo!
So I got brave and I took business cards. I only handed out three, but hey, it was more than I’ve done in the past so I’m counting it as a win. I met some of my favorite creators and I cosplayed. All in all it was just a great experience.
I attended quite a few panels this time:
– WOMEN IN COMICS NOW!
WITH ACTUAL WOMEN!! So this was a flash panel put together in 24hrs, and presented on Monday. It was done in response to a panel done on Saturday that was called “Women in Comics” and only involved men, none of which were actual comic creators. I’ve seen a few people go “Well, one of them was a professor and he was recounting comic history which he’s an expert in.” but TRINA ROBBINS was upstairs and literally she is a comics historian who is THE expert on women in comics and a comic creator. All they had to do was walk upstairs and ask her to appear.
Instead, they apparently did a lot of mansplaining.
But the panel with the actual women was fantastic. It featured Trina, Amanda Conner, Joelle Jones, Marguerite Bennett, Hannah Means-Shannon of Bleeding Cool and two more women who sadly I did not write their names down, but were awesome! Crystal Skillman put the whole thing together and I am so glad she did.
They talked about how “What’s it like being a woman in comics” is a level 101 question and how they wish people that interview them would dig deeper. I can’t relate on a creator level, but I can relate to the fact that I am exhausted with being asked why I like geeky things, or treated like I must be new to them. Nah, I’ve been here. Even if I hadn’t been, you don’t get to gate keep me. Marguerite was absolutely inspiring to me more than once. I’m sort of new to her work, but she talked about how sometimes she writes from a place of revenge, or to give girls a role-model or a hero.
She also mentioned a time when she went to a writing summit and was the only woman among 29 men, and how that felt, and how she didn’t want her nieces and the little girls she knew to have to go through that. It resonated with me so much, because it is very much in line with what I’ve felt about the work I want to do in this world.
Trina Robbins was amazing. You could feel her fire and her fury and it was also very inspiring.
Amanda Conner has also convinced me to check out Harley Quinn again, because she spoke about how the new comic is about more than her being just “Joker’s Girlfriend.” I’m a HUGE Harley fan, but in recent years, I got a bit frustrated about her being defined by the men in her life, and it was nice to hear that it sounds like she has gotten away from that. I can’t wait to pick up the series.
– Women in the Geek Industry
I felt like though I had heard the message before “Don’t wait for permission. Just do it.” They also talked about dealing with hate on the internet and that you just have to put yourself out there, while being authentic and passionate. They also re-iterated a sentiment I’ve seen from many female creators, which was find your girls and hold onto them.
– Kieron Gillen
I got to listen to Kieron talk about his work, both upcoming and in the past. It was so great to here him talk about Phonogram, which has a dear place in my heart. He was also asked about the diversity in his comics, and he talked about how he wanted comics to reflect what he saw in his life. I thought that was such a good way to communicate how it is simple to include diversity and it shouldn’t just be seen as a checklist. I also got my books signed by him the day before and he showed me his lunch, which just made me giggle up a storm. I greatly admire his work and I’m so glad he was so kind.
– En Garde: Writing Action
This was a very good panel that talked about how fights work, and Jim Butcher broke them down to the simplest formula: Stimuli-> Response. Stimuli -> Response. He also said something to the effect of writing an action scene is like lifting the engine block of a car, simple but simple should not be confused with easy. AND one of the greatest things I got out of this was it’s easier to beef up something you’ve written lean, than it is to take away from something you’ve written thick.
– Indie Comic Creators
This panel was 3 creators that were local to Colorado, and they discussed their process and such. Mostly I wished I lived closer to Denver to talk face to face with more artists, but they also recommended some places online to network.
– Beyond Bechdel: Queer Femmes and Women in Comics
They talked about the importance of representation and how we’re getting a lot more good representation of in comics of late. They also talked about how sometimes a character gets coded as queer (like Black Widow) but there really isn’t any good indication that this is for a fact true, or in any way really represented in the comics. I also liked when they touched on what is and isn’t objectifying and how we “know it when we see it.”
– Developing Systems of Magic
Jim Butcher was supposed to be on this panel, but he didn’t make it. The other three authors were good, but since I wasn’t familiar with their work and they primarily used it as an example, it was somewhat hard to grasp some of what they were speaking off. I did like this: “The ability to solve problems with magic should be proportional to the reader’s understanding of magic.” The Q&A of the session also became “I’m writing a novel and I don’t know how to make this magic work” over and over again, which was a little frustrating, because I don’t feel like you should be asking published writers to do your footwork for you.
All in all, I was really pleased with all the programming I was able to attend. We cosplayed in the mornings, and I still feel like I got so much out of the stuff I checked out. I also liked that it had a definite comic and writing focus, which was sort of lacking at Salt Lake Comic Con. SLCC does have writing panels, but it doesn’t seem like they’ve gone out of their way to get current creators of comics at their show. I’m hopeful that 2015 might be different, but I’m definitely hoping we can make it out to Denver Comic Con next year. Who knows, maybe at that point I’ll have enough created to have a table of my own.